Press
Genevieve features in the Feb edition of Mindfood mag!
Saturday Disney: Bus Stop Films
BSF on Saturday Disney.
Now to Love: Filmmaker Genevieve Clay-Smith on the importance of inclusion and not ‘striving’
Studying filmmaking at the University of Technology Sydney, Genevieve Clay-Smith might have thought her career path was heading out in the normal direction — an internship or two, making short films with her friends, maybe working her way up to a paid position.
Genevieve wins in B&T’s 30 under 30 awards
B&T’s 30 under 30 awards, are widely regarded as the leading showcase for the brightest young talent working across marketing communications. Within 10 categories, 3 winners were selected to make up the top thirty brightest minds across the Australian media landscape. Out of 300 entries, 127 were shortlisted and the final 30 were announced at the awards night which took place at the Ivy. With 11 shortlisted in the entrepreneur category – we were very proud of our Genevieve for being recognised as a young leader in the media industry.
Sydney Morning Herald: Meet the boss: Filmmaker Genevieve Clay-Smith
When Genevieve Clay-Smith went to university to study filmmaking, she assumed her career would take a traditional path. Perhaps, she’d start out with a few television commercials before eventually working her way up to something more creative.
Genevieve receives development funding for her first inclusive feature film, Baby Cat through the Screen Australia, Gender Matters initiative.
Gender Matters was announced in December 2015 as a direct response to the gender imbalance identified across the screen industry in Australia.
7.30 Report: Actress Jamie Brewer advocates for increased diversity and inclusion in film and television
7.30 Report chatted to Jamie Brewer and our co-founder Genevieve Clay-Smith about our upcoming film project “Kill Off” and the need for more diversity and inclusion in the film industry.
Australian Financial Review: White bread performance won’t cut the mustard
Genevieve gives her thoughts to the Financial Review on the need for more inclusion and diversity in the film industry.